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The multi-modal Matrix: Common Semiotic Principles in the Seven Modes of Narrative Film
dc.contributor.author | Ungoed Hughes, Angela | es_ES |
dc.contributor.author | Riley, Howard | es_ES |
dc.date.accessioned | 2014-10-02T12:31:14Z | |
dc.date.available | 2014-10-02T12:31:14Z | |
dc.date.issued | 2012 | es_ES |
dc.identifier.citation | Culture of communication / Communication of culture, 2012: 2123-2131. ISBN: 978-84-9749-522-6 | es_ES |
dc.identifier.isbn | 978-84-9749-522-6 | es_ES |
dc.identifier.uri | http://hdl.handle.net/2183/13304 | |
dc.description.abstract | [Abstract] From this brief introduction to the Multi-modal Matrix, it is hoped that the potential richness, depth and complexity of compositional choices available to the film-maker has been communicated. Understanding how film is articulated, how it may be generated by applying the symbolic code, is seen as a means of empowerment for both the filmmaker and film viewer. The former may be empowered with a range of devices with which to generate more conceptually and perceptually intriguing statements in film language, which engage the viewer and prolong that engagement; the latter may be provided with a set of tools with which to negotiate the more perceptually-challenging meanings offered in the film text. Constructive comments and suggestions for co-operative developments are welcome. | es_ES |
dc.language.iso | eng | es_ES |
dc.publisher | Universidade da Coruña | es_ES |
dc.title | The multi-modal Matrix: Common Semiotic Principles in the Seven Modes of Narrative Film | es_ES |
dc.type | info:eu-repo/semantics/conferenceObject | es_ES |
dc.rights.access | info:eu-repo/semantics/openAccess | es_ES |