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dc.contributor.authorDuarte, Isabel Margarida
dc.date.accessioned2011-07-12T10:35:36Z
dc.date.available2011-07-12T10:35:36Z
dc.date.issued2008
dc.identifier.citationRevista Galega de Filoloxía, 2008, 9: 43-56. ISSN: 1576-2661es_ES
dc.identifier.issn1576-2661
dc.identifier.urihttp://hdl.handle.net/2183/7584
dc.description.abstract[Abstract] In the last novels of Camilo Castelo Branco, the treatment of the characters’ reported speech is similar to the model followed by Eça de Queirós. Although in the parodic novels there seems to be a parody to the way Eça de Queirós handles this issue, an alteration is gradually undertaken, so that the treatment of reported speech becomes a genuine effort, the assumed and non-parodic way of conveying the characters’ words and inner thoughts. The confrontation between the beginning of the first version of A Brasileira de Prazins, published in the magazine A Arte (1879), and the book (1882) leads to the conclusion that Camilo’s writing has progressively absorbed several realistic stylistic features.es_ES
dc.language.isoglges_ES
dc.publisherUniversidade da Coruñaes_ES
dc.subjectRelato de discursoes_ES
dc.subjectConfronto de ediçôeses_ES
dc.subjectReported speeches_ES
dc.subjectEdition confrontationes_ES
dc.titleO relato de discurso nos últimos romances de Camiloes_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.rights.accessinfo:eu-repo/semantics/openAccess


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