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Spades, Actors and Fags: Fiction and/as Queer Theory in Timothy Findley’s Spadework
dc.contributor.author | Carmona Rodríguez, Pedro | |
dc.date.accessioned | 2016-07-15T08:35:22Z | |
dc.date.available | 2016-07-15T08:35:22Z | |
dc.date.issued | 2008 | |
dc.identifier.citation | AEDEAN 2008, 31: 151-159 ISBN-978-84-9749-278-2 | |
dc.identifier.isbn | 978-84-9749-278-2 | |
dc.identifier.uri | http://hdl.handle.net/2183/17029 | |
dc.description.abstract | [Abstract] This paper analyses Timothy Findley’s last novel, Spadework (2002 [2001] ), to engage the relevance of Gender/Queer Theory as a visible intertext. As we read, it seems apparent that that Spadework provides a further turn of the screw to invigorate the gendermarked fiction/theory popular in Canadian writing. Issues of gender/sex performativity and performance, in several ways, populate the novel, which, as a whole, is a critique of identity very close to the one proposed by Queer Theory models, usually oriented to interrogate normativity and the identities that it produces. | |
dc.language.iso | eng | |
dc.publisher | Universidade da Coruña | |
dc.title | Spades, Actors and Fags: Fiction and/as Queer Theory in Timothy Findley’s Spadework | |
dc.type | info:eu-repo/semantics/conferenceObject | |
dc.rights.access | info:eu-repo/semantics/openAccess |