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dc.contributor.authorCarmona Rodríguez, Pedro
dc.date.accessioned2016-07-15T08:35:22Z
dc.date.available2016-07-15T08:35:22Z
dc.date.issued2008
dc.identifier.citationAEDEAN 2008, 31: 151-159 ISBN-978-84-9749-278-2
dc.identifier.isbn978-84-9749-278-2
dc.identifier.urihttp://hdl.handle.net/2183/17029
dc.description.abstract[Abstract] This paper analyses Timothy Findley’s last novel, Spadework (2002 [2001] ), to engage the relevance of Gender/Queer Theory as a visible intertext. As we read, it seems apparent that that Spadework provides a further turn of the screw to invigorate the gendermarked fiction/theory popular in Canadian writing. Issues of gender/sex performativity and performance, in several ways, populate the novel, which, as a whole, is a critique of identity very close to the one proposed by Queer Theory models, usually oriented to interrogate normativity and the identities that it produces.
dc.language.isoeng
dc.publisherUniversidade da Coruña
dc.titleSpades, Actors and Fags: Fiction and/as Queer Theory in Timothy Findley’s Spadework
dc.typeinfo:eu-repo/semantics/conferenceObject
dc.rights.accessinfo:eu-repo/semantics/openAccess


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