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dc.contributor.authorGarofalo, Luigi
dc.date.accessioned2011-07-12T10:26:42Z
dc.date.available2011-07-12T10:26:42Z
dc.date.issued2009
dc.identifier.citationAnuario da Facultade de Dereito da Universidade da Coruña, 2009, 13: 261-281. ISSN: 1138-039Xes_ES
dc.identifier.issn1138-039X
dc.identifier.urihttp://hdl.handle.net/2183/7513
dc.description.abstract[Abstract] Carl Schmitt and Wassily Kandinsky spend crucial years of their own lives in Munich, by connecting in several ways law and art. In particular, Schmitt, among other things author of literary and musical criticism, satirical pieces and stories, draws on the art many influences that make prolific his legal thought; and, with regard to Kandinsky, who wrote also an essay about the activity of the Volost’ courts and furt- her papers concerned with the legal and ethnographical spheres, he draws on the law, which he studied when attending the University of Moscow, themes that guide his deve- lopment in both the practice and the conceptualization of the pictorial art.es_ES
dc.language.isoitaes_ES
dc.publisherUniversidade da Coruñaes_ES
dc.subjectCarl Schmittes_ES
dc.subjectWassily Kandinskyes_ES
dc.subjectMonacoes_ES
dc.subjectDirittoes_ES
dc.subjectArtees_ES
dc.subjectMuniches_ES
dc.subjectLawes_ES
dc.subjectArtes_ES
dc.titleCarl Schmitt e Wassily Kandinsky: a Monaco fra diritto e artees_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.rights.accessinfo:eu-repo/semantics/openAccess


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