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Opening up frontiers through music: exploring narratives of identity, prophethood, father figure and trauma in Kendrick Lamar's Mr Morale and The Big Steppers
dc.contributor.advisor | Estévez-Saá, José Manuel | |
dc.contributor.author | González Taracido, Miguel | |
dc.contributor.other | Universidade da Coruña. Facultade de Filoloxía | es_ES |
dc.date.accessioned | 2023-11-15T08:59:29Z | |
dc.date.available | 2023-11-15T08:59:29Z | |
dc.date.issued | 2023 | |
dc.identifier.uri | http://hdl.handle.net/2183/34226 | |
dc.description.abstract | [Abstract] Mr. Morale and The Big Steppers is Kendrick Lamar's latest album, which, to date, has not been the subject of scholarly analysis. The aim is to investigate his narrative throughout his work in relation to issues such as the questioning of material wealth and the exploitation of African-American culture within the Hip Hop genre. In addition, religion is examined, analysing how the artist approaches and is influenced by religion to represent both social and personal issues. African American masculinity and the formation of African American masculinity is also examined, along with the influence of Gangsta Rap and its limitation of masculinity in the African American community. Finally, trauma in Lamar´s narrative is explored, as well as sexual violence and the influence of slavery on the African American community in the presen | es_ES |
dc.language.iso | eng | es_ES |
dc.rights | Os titulares dos dereitos de propiedade intelectual autorizan a visualización do contido deste traballo a través de Internet, así como a súa reproducción, gravación en soporte informático ou impresión para o seu uso privado e/ou con fins de estudo e de investigación. En nengún caso se permite o uso lucrativo deste documento. Estos dereitos afectan tanto ó resumo do traballo como o seu contido Los titulares de los derechos de propiedad intelectual autorizan la visualización del contenido de este trabajo a través de Internet, así como su reproducción, grabación en soporte informático o impresión para su uso privado o con fines de investigación. En ningún caso se permite el uso lucrativo de este documento. Estos derechos afectan tanto al resumen del trabajo como a su contenido | es_ES |
dc.subject | Hip-Hop | es_ES |
dc.subject | Materialism | es_ES |
dc.subject | Lamar, Kendrick | es_ES |
dc.subject | Identity | es_ES |
dc.subject | Religion | es_ES |
dc.subject | Prophetic figure | es_ES |
dc.subject | Black masculinity | es_ES |
dc.subject | African-American community | es_ES |
dc.subject | Trauma | es_ES |
dc.subject | Sexual violence. | es_ES |
dc.title | Opening up frontiers through music: exploring narratives of identity, prophethood, father figure and trauma in Kendrick Lamar's Mr Morale and The Big Steppers | es_ES |
dc.type | info:eu-repo/semantics/masterThesis | es_ES |
dc.rights.access | info:eu-repo/semantics/openAccess | es_ES |
dc.description.traballos | Traballo fin de mestrado (UDC.FIL). Estudos ingleses avanzados e as súas aplicacións. Curso 2022/2023 | es_ES |