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Streets of Galway: the challenge of adapting for television Ken Bruen's Jack Taylor novels
dc.contributor.advisor | Alonso-Giráldez, J. Miguel | |
dc.contributor.author | Fernández Vilar, Gema | |
dc.contributor.other | Universidade da Coruña. Facultade de Filoloxía | es_ES |
dc.date.accessioned | 2022-02-11T08:05:47Z | |
dc.date.available | 2022-02-11T08:05:47Z | |
dc.date.issued | 2021 | |
dc.identifier.uri | http://hdl.handle.net/2183/29767 | |
dc.description.abstract | [Abstract] Literature and identity are two ideas intrinsically linked. There is an indivisible relationship between both concepts and neither can advance without the other. Literary manifestations have been worked as a tool for the construction and expression of personal as well as collective identity. In the Irish case, the crime novel is a vital element to reflect Irish identity. This piece of research analyses and contrasts the crime novels The Guards and The Magdalen Martyrs written by Ken Bruen with its expansion into television Jack Taylor on Netflix. As such, the methodology used is firstly based on a socio-historical analysis as well as the study of the development of the Irish crime novel in recent years to, secondly, expose a comparison between written and audiovisual material. The main objective is to establish a framework to understand the differences and similarities about how Irish identity and the main character are relocated in front of the viewers. The idea of this literary analysis is to test whether cinematic art can show identity at the same level as literature. | es_ES |
dc.language.iso | eng | es_ES |
dc.rights | Os titulares dos dereitos de propiedade intelectual autorizan a visualización do contido deste traballo a través de Internet, así como a súa reproducción, gravación en soporte informático ou impresión para o seu uso privado e/ou con fins de estudo e de investigación. En nengún caso se permite o uso lucrativo deste documento. Estos dereitos afectan tanto ó resumo do traballo como o seu contido Los titulares de los derechos de propiedad intelectual autorizan la visualización del contenido de este trabajo a través de Internet, así como su repoducción, grabación en soporte informático o impresión para su uso privado o con fines de investigación. En ningún caso se permite el uso lucrativo de este documento. Estos derechos afectan tanto al resumen del trabajo como a su contenido | es_ES |
dc.subject | Literature | es_ES |
dc.subject | Identity | es_ES |
dc.subject | Ireland | es_ES |
dc.subject | Bruen, Ken | es_ES |
dc.subject | The Guards | es_ES |
dc.subject | The Magdalen Martyrs | es_ES |
dc.subject | Crime novel | es_ES |
dc.subject | Jack Taylor | es_ES |
dc.title | Streets of Galway: the challenge of adapting for television Ken Bruen's Jack Taylor novels | es_ES |
dc.type | info:eu-repo/semantics/bachelorThesis | es_ES |
dc.rights.access | info:eu-repo/semantics/openAccess | es_ES |
dc.description.traballos | Traballo fin de grao (UDC.FIL). Inglés: estudios lingüísticos y literarios. Curso 2020/2021 | es_ES |