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http://hdl.handle.net/2183/37980 O refrán das cantigas galego-portuguesas: variación e edición
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Ferreiro, M. (2022). O refrán das cantigas galego-portuguesas: variación e edición. Estudios Románicos, 31. https://doi.org/10.6018/ER.502821
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[Resumo] O refrán das cantigas galego-portuguesas, con presenza maioritaria no corpus textual, nomeadamente no xénero de amigo, caracterízase, aparentemente, pola súa repetición íntegra en todas as estrofas; non obstante, os manuscritos ofrecen con certa frecuencia mudanzas que contrastan con esa esperada reiteración literal.
Este artigo visa realizar unha primeira aproximación á variación (gráfico-fonética, lingüística, estilística…) que se rexistra nos refráns das cantigas trobadorescas, oculta en numerosas ocasións polo (discutíbel) apagamento que se produce na maioría das edicións da lírica profana galego-portuguesa.
[Abstract] The presence of a refrain is observed throughout most of the text corpus of Galician-Portuguese cantiga poetry (especially among the cantigas de amigo) and is generally characterised by repetition of the same verse (or combination of verses) in each strophe. Analysis of the manuscript, however, reveals a number of differences between refrains that contradict this rule. The aim of this article is to present a preliminary manuscript analysis of spelling, phonetic, linguistic and stylistic variation in the refrains of medieval Galician troubadour poetry, and to expose the (questionable) tendency among most editions to standardise these differences.
[Abstract] The presence of a refrain is observed throughout most of the text corpus of Galician-Portuguese cantiga poetry (especially among the cantigas de amigo) and is generally characterised by repetition of the same verse (or combination of verses) in each strophe. Analysis of the manuscript, however, reveals a number of differences between refrains that contradict this rule. The aim of this article is to present a preliminary manuscript analysis of spelling, phonetic, linguistic and stylistic variation in the refrains of medieval Galician troubadour poetry, and to expose the (questionable) tendency among most editions to standardise these differences.
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