Use this link to cite:
http://hdl.handle.net/2183/7056 Mejora de las aptitudes musicales mediante una intervención en atención auditiva e interior
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Identifiers
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Authors
Martín López, Eva
León del Barco, Benito
Vicente-Castro, Florencio
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Journal Title
Bibliographic citation
Revista galego-portuguesa de Psicoloxía e Educación, 2007, 14: 95-105 ISSN 1138-1663
Type of academic work
Academic degree
Abstract
[Resumen] Tradicionalmente, las investigaciones
sobre aptitudes musicales han girado en torno
a los siguientes temas: evaluación de las mismas,
relaciones entre aptitudes musicales con
variables musicales, relaciones con aspectos
del lenguaje y trabajos que relacionan aptitudes
musicales con variables personales. Tras
observar que apenas hay investigaciones que
relacionen las aptitudes musicales con la atención,
y que las que lo hacen, lo hacen en un
sentido que no es el de nuestras hipótesis,
decidimos demostrar la relación de causaefecto
entre una intervención en atención y la
mejora en la percepción de las aptitudes musicales
medidas en el Test de Seashore. Para
ello, elaboramos un programa de intervención,
proponiendo actividades auditivas encaminadas
a trabajar la atención espacial, también
llamada atención sensorial o exterior
(Posner, 1980), como actividades relacionadas
con el ejecutivo central (Norman y
Shallice, 1988), destinadas al trabajo de la
atención dirigida al mundo de las ideas o atención
interior (introspección). Nuestros resultados
tienden a confirmar que tras una intervención
en atención mejoran las aptitudes
musicales. Confirmamos, también, de este
modo la vinculación existente entre música y
atención, que ha sido escasamente estudiada
[Abstract] Traditionally, the investigations on musical aptitudes have turned about following: evaluation of the same ones, relations between musical aptitudes with musical variables, relations with aspects of the language and works that relate musical aptitudes to personal variables. After observing that as soon as there are investigations that relate the musical aptitudes to the attention, and that those that does it, they do it in a sense that is not the one of our hypotheses, we decided to demonstrate to the relation of cause-effect between an intervention in attention and the improvement in the perception of the measured musical aptitudes in the Test of Seashore. For it, we elaborated an intervention program, proposing auditory activities directed to work the space attention, also call sensorial or outer attention (Posner, 1980), like activities related to the central executive (Norman & Shallice, 1988), destined to the work of the attention directed to the world of the ideas or inner attention (introspection). Our results tend to confirm that after an intervention in attention they improve the musical aptitudes. We confirmed, also, in this way the existing entailment between music and attention, that barely has been studied.
[Abstract] Traditionally, the investigations on musical aptitudes have turned about following: evaluation of the same ones, relations between musical aptitudes with musical variables, relations with aspects of the language and works that relate musical aptitudes to personal variables. After observing that as soon as there are investigations that relate the musical aptitudes to the attention, and that those that does it, they do it in a sense that is not the one of our hypotheses, we decided to demonstrate to the relation of cause-effect between an intervention in attention and the improvement in the perception of the measured musical aptitudes in the Test of Seashore. For it, we elaborated an intervention program, proposing auditory activities directed to work the space attention, also call sensorial or outer attention (Posner, 1980), like activities related to the central executive (Norman & Shallice, 1988), destined to the work of the attention directed to the world of the ideas or inner attention (introspection). Our results tend to confirm that after an intervention in attention they improve the musical aptitudes. We confirmed, also, in this way the existing entailment between music and attention, that barely has been studied.

