A secuencia da produción escénica en galego no marco da actividade teatral do Centro Lugués de Buenos Aires nos decenios centrais do século XX

Abstract

[Resumo] A historiografía dramática galega do período franquista identifica algúns momentos chave ligados ao Centro Lugués de Buenos Aires, como o Teatro Popular Galego promovido por Eduardo Blanco Amor ou a estrea de O casamento do latoneiro de John M. Synge traducida por Ramón de Valenzuela. No en certos momentos e non noutros aínda non tiñan sido rastreadas. Este traballo presenta tres décadas de historia interna do Centro Lugués en relación á actividade teatral e contextualiza as producións escénicas que acolleu durante ese período focando as circunstancias en que se desenvolveron, os participantes nas mesmas e a existencia ou non de liñas programáticas en relación coa presenza da lingua galega na escena.[Abstract] Galician dramatic historiography from Franco´s period has identified some key moments linked to the Centro Lucense in Buenos Aires, such as the Teatro Popular Galego promoted by Eduardo Blanco Amor or the debut of O casamento do latoneiro written by John M. Synge, and translated by Ramón de Valenzuela. However, the performance history of this institution, as well as the circumstances that led to Galician-language theatre being performed at certain times and not at others, have yet to be to its theatrical activity and also contextualizes the stage productions it hosted during that period, focusing on the circumstances in which they took place, the participants in them, and the presence or absence of programmatic lines related to when the Galician language was used on stage.