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http://hdl.handle.net/2183/36756 De nuevo sobre el soneto de Quevedo «Oh, fallezcan los blancos, los postreros»
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Moya del Baño, Francisca
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Moya del Baño, Francisca. «De nuevo sobre el soneto de Quevedo “Oh, fallezcan los blancos, los postreros”». JANUS. Estudios sobre el Siglo de Oro , n. 11, diciembre de 2022, págs. 630-668. DOI.org (Crossref) , https://doi.org/10.51472/JESO20221130.
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Abstract
[Resumen] En este trabajo volvemos al soneto de Quevedo “Oh fallezcan…”, que parte de unos
versos de la sátira segunda del poeta latino Persio. Insistimos en la defensa de
nuestra conjetura “tíos” frente al término “años”, que se lee en el endecasílabo
segundo del soneto. Se responde a las objeciones de las que ha sido objeto esta
propuesta. Se comenta y explica todo el soneto con una detenida comparación entre
los textos de los poetas Persio y Quevedo, y se deja claro que Quevedo en este
obscuro soneto recrea, con la libertad que les es propia a los poetas, unos versos de
la sátira segunda de Persio.
[Abstract] In this work we return to Quevedo's sonnet "Oh fallezcan...", which starts from some verses of the second satire of the Latin poet Persio. We insist on the defense of my conjecture "tíos" against the term "años", which is read in the second hendecasyllable of the sonnet. The objections to which this proposal has been subject are answered. The entire sonnet is commented on and explained with a detailed comparison between the texts of the poets Persio and Quevedo, and it is made clear that Quevedo in this obscure sonnet recreates, with the freedom that is proper to poets, some verses of the second satire of Persio.
[Abstract] In this work we return to Quevedo's sonnet "Oh fallezcan...", which starts from some verses of the second satire of the Latin poet Persio. We insist on the defense of my conjecture "tíos" against the term "años", which is read in the second hendecasyllable of the sonnet. The objections to which this proposal has been subject are answered. The entire sonnet is commented on and explained with a detailed comparison between the texts of the poets Persio and Quevedo, and it is made clear that Quevedo in this obscure sonnet recreates, with the freedom that is proper to poets, some verses of the second satire of Persio.
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