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http://hdl.handle.net/2183/13259 A crítica literaria na era dixital, que crítica?
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Authors
Eiré Val, Xosé Manuel
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Bibliographic citation
Novas achegas ao estudo da cultura galega II. Enfoques socio-históricos e lingüístico-literarios; 2012: 105-111. ISBN: 978-84-9749-517-2
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Abstract
[Resumo] Nun contexto histórico no cal é posíbel enxergar unha nova forma de ler, e desde unha realidade social na cal a cultura do autor está a ser reprimida polas mesmas instancias que teñen o mandato político de amparala, proponse unha reflexión acerca da crítica literaria como axente cultural e social. Nela pártese da previa distinción dunha nova forma de ler e de entender o feito literario; condicionante sen o cal dificilmente se pode atender a socialización da lectura, meta diametralmente oposta á actual, e maioritaria, concepción da literatura como un pracer restrinxido ao ámbito da privacidade individual.
[Abstract] This paper focuses on literary criticism as a cultural and social agent within a historical context, where it is possible to evolve a new way of reading and in the frame of a social reality and where the author’s culture is being undermined by the same instances that have the political mandate to protect it. The point of departure is to identify a new way of reading and of understanding the literary fact, which is the basis of a socialization of the reading process. This goal is diametrically opposed to the current and general conception of literature as a pleasure restricted to the individual and its privacy.
[Abstract] This paper focuses on literary criticism as a cultural and social agent within a historical context, where it is possible to evolve a new way of reading and in the frame of a social reality and where the author’s culture is being undermined by the same instances that have the political mandate to protect it. The point of departure is to identify a new way of reading and of understanding the literary fact, which is the basis of a socialization of the reading process. This goal is diametrically opposed to the current and general conception of literature as a pleasure restricted to the individual and its privacy.