Use this link to cite:
http://hdl.handle.net/2183/38298 O pensamento teatral de Luís Seoane desde unha ollada interartística
Loading...
Identifiers
Publication date
Authors
Advisors
Other responsabilities
Journal Title
Bibliographic citation
Rei Castro, M. (2023). O pensamento teatral de Luís Seoane desde unha ollada interartística. Revista Galega De Filoloxía, 24. https://doi.org/10.17979/rgf.2023.24.0.9746
Type of academic work
Academic degree
Abstract
[Resumo]: O polifacético autor Luís Seoane experimentou o teatro en todas as súas vertentes, configurando unha diversi-ficada produción teatral, derivada dun ben artellado ideario neste ámbito específico. É así que os piares principais da súa concepción teatral son a procura da síntese artística e o parateatro, para alén doutros fundamentos como a tentativa dun teatro popular galego. De xeito significativo, eses dous principios fundamentais están presentes tanto nas pezas teatrais de Seoane, canto na súa obra plástica por vía do mural El nacimiento del teatro argentino e tamén do proxecto muralístico Escena parateatral [s. t.]
[Abstract]: The multi-talented author Luis Seoane experienced theatre in all its facets, creating a varied theatrical produc-tion, which derived from a well-articulated ideology in this specific field. Hence the main pillars of Seoane’s theatrical vision are the search for artistic synthesis and paratheater, as well as other fundamental principles such as the attempt to create a popular Galician theatre. These two main principles are significantly present in Seoane’s plays, as well as in his plastic work through the mural El nacimiento del teatro argentino and also in the mural project Escena parateatral [no title].
[Abstract]: The multi-talented author Luis Seoane experienced theatre in all its facets, creating a varied theatrical produc-tion, which derived from a well-articulated ideology in this specific field. Hence the main pillars of Seoane’s theatrical vision are the search for artistic synthesis and paratheater, as well as other fundamental principles such as the attempt to create a popular Galician theatre. These two main principles are significantly present in Seoane’s plays, as well as in his plastic work through the mural El nacimiento del teatro argentino and also in the mural project Escena parateatral [no title].
Description
Editor version
Rights
Atribución-CompartirIgual 3.0 España




