Use this link to cite:
http://hdl.handle.net/2183/11982 Deslizando da margem à correnteza: a mobilidade da canoa na arte da educaçâo ambiental
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Identifiers
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Authors
Pizzato Quadros, Imara
Sato, Michèle
Kawahara, Lùcia Shiguemi Izawa
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Bibliographic citation
Ambientalmente Sustentable, 2011, 11-12: 55-73. ISSN: 1887-2417
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Abstract
[Resumo] Cultura e ciência pelas mãos da educação ambiental é a proposta do Grupo Pesquisador em Educação Ambiental, Comunicação e Arte por meio de um projeto internacional relacionado com a avaliação ecossistêmica do milênio. Partindo da premissa que nem tudo vira mercado, a pesquisa teve a fenomenologia como metodologia e a meta de interpretar a feitura de uma canoa à luz da cultura local. Para além de um instrumento de mobilidade, a canoa pode ser interpretada como uma escultura de arte da expressão mais da cultura local, que deve ser reconhecida como um saber popular e que confere a identidade de uma região.
[Abstract] Culture and science in the hands of environmental education is the proposal of the Research Group on Environmental Education, Communication and the Arts through an international project related to the Millennium Ecosystem Assessment. Assuming that not everything turns market, this research had the phenomenology as a methodology, and aims to interpret the making of a canoe in the light of local culture. Transcendent a simple mobility tool, the canoe can be interpreted as an expression of art sculpture belonging to the local culture, and should be recognized as a popular knowledge, which can shape the identity of a region.
[Abstract] Culture and science in the hands of environmental education is the proposal of the Research Group on Environmental Education, Communication and the Arts through an international project related to the Millennium Ecosystem Assessment. Assuming that not everything turns market, this research had the phenomenology as a methodology, and aims to interpret the making of a canoe in the light of local culture. Transcendent a simple mobility tool, the canoe can be interpreted as an expression of art sculpture belonging to the local culture, and should be recognized as a popular knowledge, which can shape the identity of a region.

