Holofractal music in scene: experiments on performing arts under a semiotic transduction dialogue

Abstract

[Abstract] The present text reports a research which deals with some of the semiotic possibilities of integrating music, dance, theatre, technology, physics, cognition, philosophy and oriental mysticism to dialogue in the same space-time on the political problems we are facing nowadays. Therefore, as it has to be especially for paradigmatic reasons, that is an ever “in progress” research, contingently restricted to my doctorate proposal of building a collective holofractal art spectacle and to depict from it a transduction semiotic model. So far, I am able to present a Peircean semiotic analysis of some few experiments in gathering poetry, dance, music and cyber sceneries to address our contemporary problems based upon some of the physics paradigmatic concepts, such as relativity, atemporality, multidimensionality, unpredictability, complementarity, interdependency.