Use this link to cite:
http://hdl.handle.net/2183/26336 El vino y los odres: la intervención de J.I. Linazasoro en la iglesia de Valdemaqueda (Madrid)
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Sainz Gutiérrez, Victoriano
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Bibliographic citation
Sainz Gutiérrez, Victoriano. 2020. «El vino y los odres. La intervención de J.I. Linazasoro en la iglesia de Valdemaqueda (Madrid)». Actas de Arquitectura Religiosa Contemporánea 7: 212-223. https://doi.org/10.17979/aarc.2020.7.0.6339.
Type of academic work
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Abstract
[Resumen]
El problema de la relación entre lo antiguo y lo nuevo recorre toda la obra construida del arquitecto español José Ignacio
Linazasoro; de hecho, sus mejores proyectos son probablemente aquellos en los que ha tenido que trabajar con preexistencias, estableciendo un diálogo entre memoria y modernidad. Esto vale sobre todo para sus actuaciones en espacios
sacros de carácter patrimonial, donde ha intervenido para mejorar las condiciones de uso de esos edificios históricos o para
darles otro uso. En la iglesia de Valdemaqueda (1998-2001), la construcción de una nueva nave, añadida a la preexistente
cabecera tardogótica, ofrece al arquitecto la oportunidad para realizar una sugerente reflexión sobre el significado de los
elementos litúrgicos en el espacio sacro actual. Con un lenguaje contemporáneo pero esencial, cargado de referencias
plásticas, utiliza los elementos fundamentales de toda arquitectura —la materialidad, la luz, el espacio— para redefinir el
conjunto de la iglesia.
[Abstract] The problem of the relationship between the old and the new runs through the entire constructed work of the Spanish architect José Ignacio Linazasoro; in fact, his best projects are probably those in which he has had to work with pre-existences, establishing a dialogue between memory and modernity. This is especially true for their interventions in religious heritage sites, where he have worked to improve the conditions of use of these historic buildings or to give them another use. In the church of Valdemaqueda (1998-2001), the construction of a new nave, added to the pre-existing late Gothic apse, offers the architect the opportunity to make a suggestive reflection on the meaning of the liturgical elements in the current sacred space. With a contemporary but essential language, full of plastic references, he uses the fundamental elements of all architecture —materiality, light, space— to redefine the whole of the church.
[Abstract] The problem of the relationship between the old and the new runs through the entire constructed work of the Spanish architect José Ignacio Linazasoro; in fact, his best projects are probably those in which he has had to work with pre-existences, establishing a dialogue between memory and modernity. This is especially true for their interventions in religious heritage sites, where he have worked to improve the conditions of use of these historic buildings or to give them another use. In the church of Valdemaqueda (1998-2001), the construction of a new nave, added to the pre-existing late Gothic apse, offers the architect the opportunity to make a suggestive reflection on the meaning of the liturgical elements in the current sacred space. With a contemporary but essential language, full of plastic references, he uses the fundamental elements of all architecture —materiality, light, space— to redefine the whole of the church.
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Atribución-NoComercial-CompartirIgual 4.0 España


