Vía Tango, a Lively Dance

UDC.coleccionInvestigaciónes_ES
UDC.conferenceTitleCONFIA . International Conference on Ilustration & Animation Ofir . Portugal . November 2012es_ES
UDC.departamentoSocioloxía e Ciencias da Comunicaciónes_ES
UDC.grupoInvGrupo de Investigación en Procesos Artísticos Contemporáneos, Patrimoniais e de Mediación Cultural en Contextos Educativos (ARTE-FACTO)es_ES
dc.contributor.authorNavarro Álvarez, Adriana
dc.date.accessioned2025-01-17T19:53:34Z
dc.date.available2025-01-17T19:53:34Z
dc.date.issued2012-11
dc.description.abstract[Abstract]: This article presented here, is to investigate how the animation could be related figurative animation and dance, asking whether the architecture of movements that generate both artistic disciplines share common goals. Serve us a case study the animated short film Via Tango [1], which largely used as foundation and dancing axis around which has turned the entire production, we’ll see if the media animated choreography and be able to work on the same assumptions, for finally wonder about the meaning of the animators might appreciate dance and mobile reference.es_ES
dc.identifier.citationNavarro Álvarez, A. (2012). Vía Tango, a Lively Dance. In CONFIA. 1st International Conference on Ilustration & Animation. (pp. 445-458). IPCA (Instituto Politécnico do Cávado e do Ave)es_ES
dc.identifier.isbn978-989-97567-6-2
dc.identifier.urihttp://hdl.handle.net/2183/40768
dc.language.isoenges_ES
dc.publisherIPCA (Instituto Politécnico do Cávado e do Ave)es_ES
dc.rights.accessRightsopen accesses_ES
dc.subjectVía Tangoes_ES
dc.subjectDancees_ES
dc.subjectAnimationes_ES
dc.subjectMusices_ES
dc.subjectChoreographyes_ES
dc.subjectSynchronizationes_ES
dc.subjectTiminges_ES
dc.titleVía Tango, a Lively Dancees_ES
dc.typebook partes_ES
dspace.entity.typePublication
relation.isAuthorOfPublication5ecf389b-114c-4c6e-b55f-70f16706d6e7
relation.isAuthorOfPublication.latestForDiscovery5ecf389b-114c-4c6e-b55f-70f16706d6e7

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