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http://hdl.handle.net/2183/19213 Ciudad y espacio urbano en el último cine iberoamericano (2000-2015)
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Franco Salgado, Andrea
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Abstract
[Resumen] Esta investigación analiza el espacio urbano a través del cine
iberoamericano contemporáneo. Fenómenos urbanos, tipologías de ciudad o
realidades que suceden en los márgenes de las ciudades son estudiados aquí a
partir de la visión de los cineastas del nuevo milenio.
El motivo principal parte de la constatación de que la bibliografía reciente
sobre cine y espacio urbano apenas menciona las ciudades de Iberoamérica
(España, Portugal y América Latina), principalmente debido a la hegemonía de las
cinematografías de Estados Unidos, Europa y Asia. Solo en los últimos años,
como consecuencia de una nueva efervescencia creativa que surge de las leyes de
fomento del audiovisual, entre otros factores, la filmografía iberoamericana
empieza a formar parte de los estudios sobre cine y ciudad.
Esta tesis emplea una metodología comparativa que combina elementos de
la Historia del Cine, la Teoría y la Historia del Urbanismo, la Historia de la
Arquitectura, la Filosofía, la Antropología y la Sociología, para analizar las
últimas transformaciones ocurridas en las ciudades y en sus límites tal y como las
revelan las películas.
[Abstract]This research proposes analyses the urban space through contemporary Iberoamerican cinema. Urban phenomena, typologies of cities and the different realities happening in the margins, are studied here under the vision of the filmmakers of the new millenium. The motivation for this purpose lies in the confirmation that the recent bibliography on cinema and urban space, barely mentions the Iberoamerican cities (from Spain, Portugal and Latin America), mainly due to the traditional hegemony of US, European and Asian productions. Only in the last years, following a new effervescence of filmmakers arising from the new audiovisual laws –among other factors-, Iberoamerican filmography starts to be present within the studies of city and film. This thesis uses a comparative methodology coming from the History of Cinema, Urban History and Theory, History of Architecture, Philosophy, Antropology and Sociology, to analyze the last transformations occurred in the cities and their limits as appeared in the movies.
[Abstract]This research proposes analyses the urban space through contemporary Iberoamerican cinema. Urban phenomena, typologies of cities and the different realities happening in the margins, are studied here under the vision of the filmmakers of the new millenium. The motivation for this purpose lies in the confirmation that the recent bibliography on cinema and urban space, barely mentions the Iberoamerican cities (from Spain, Portugal and Latin America), mainly due to the traditional hegemony of US, European and Asian productions. Only in the last years, following a new effervescence of filmmakers arising from the new audiovisual laws –among other factors-, Iberoamerican filmography starts to be present within the studies of city and film. This thesis uses a comparative methodology coming from the History of Cinema, Urban History and Theory, History of Architecture, Philosophy, Antropology and Sociology, to analyze the last transformations occurred in the cities and their limits as appeared in the movies.
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Programa Oficial de Doutoramento en Lingua, Texto e Expresión Artística. 521V01
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Atribución-NoComercial-SinDerivadas 3.0 España








