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http://hdl.handle.net/2183/35823 El interior de Ronchamp en un dibujo de Louis I. Kahn
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Amado Lorenzo, A. (2011) «El interior de Ronchamp en un dibujo de Louis I. Kahn», EGA Expresión Gráfica Arquitectónica, 16(17), pp. 80–89. doi: 10.4995/ega.2011.885.
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Abstract
[Resumen] El objetivo fundamental es analizar
la reacción de Louis I. Kahn al visitar
Ronchamp en 1959, estudiando
su dibujo del interior, comparándolo
con otros del arquitecto y con
un boceto similar de Le Corbusier.
El sistema de apoyo de la cubierta
se explica a partir de fotografías y
planos seleccionados entre los
514 de este proyecto. La conclusión
evidente es que Le Corbusier
adoptó un sistema estructural de
cierta complejidad para conseguir
una iluminación interior acorde
con el carácter religioso de la
construcción, algo que –a la vista
de su dibujo–, no pasó en absoluto
desapercibido para Kahn.
Palabras clave: Le Corbusier,
[Abstract] The main objective is to analyse Louis I. Kahn’s reaction on visiting Ronchamp in 1959, studying his sketch of the interior and comparing it with others by the architect and a similar sketch by Le Corbusier. The system to support the roof is explained through photographs and plans selected from the 514 relating to this project. The evident conclusion is that Le Corbusier adopted a structural system of a certain complexity to achieve an internal light in keeping with the religious nature of the building, something that, as can be seen from his sketch, did not pass unnoticed by Kahn.
[Abstract] The main objective is to analyse Louis I. Kahn’s reaction on visiting Ronchamp in 1959, studying his sketch of the interior and comparing it with others by the architect and a similar sketch by Le Corbusier. The system to support the roof is explained through photographs and plans selected from the 514 relating to this project. The evident conclusion is that Le Corbusier adopted a structural system of a certain complexity to achieve an internal light in keeping with the religious nature of the building, something that, as can be seen from his sketch, did not pass unnoticed by Kahn.
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Atribución-NoComercial-SinDerivadas 3.0 España
Esta revista se publica bajo una licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 4.0 Internacional
Esta revista se publica bajo una licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 4.0 Internacional








