“Who Lives, Who Dies, Who Tells Your Story?” Lin-Manuel Miranda’s Hamilton: An American Musical

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“Who Lives, Who Dies, Who Tells Your Story?” Lin-Manuel Miranda’s Hamilton: An American MusicalAutor(es)
Director(es)
Frías Rudolphi, MaríaData
2022Centro/Dpto/Entidade
Universidade da Coruña. Facultade de FiloloxíaDescrición
Traballo fin de grao (UDC.FIL). Inglés: estudios lingüísticos y literarios. Curso 2021/2022Resumo
[Abstract] The main aim of this final project will be to analyze and comprehend the relevance and
impact of Lin-Manuel Miranda’s Hamilton: An American Musical (2015) on musical theater
as well as in society in general. The focus will be put on both the creative process and the
critical reception the show has received since its premiere. To do so, I will provide a complete
and detailed summary of the plot and the main characters, as well as a close-reading analysis
of five specific songs: “My Shot,” “One Last Time,” “Non-Stop,” “Dear Theodosia,” and
“The Schuyler Sisters.” The methodology used to achieve these goals will include, firstly, the
study of Hamilton: The Revolution by Lin-Manuel Miranda and Jeremy McCarter, which is
the main source of information on which this dissertation will be based on and, secondly, a
compilation of interviews given by the members of the creative team which include the actors
and actresses as well as Miranda himself. The conclusions reached are that Hamilton: An
American Musical has marked a before and an after in the history of musical theater and the
way in which history is taught. Consequently, it will serve as an inspiration for future works
of similar (or greater) importance.
Palabras chave
Musical theater
Hamilton, Alexander
Washington, George
Hip hop
History
Revolution
Slavery
Race
Use of language
Hamilton, Alexander
Washington, George
Hip hop
History
Revolution
Slavery
Race
Use of language
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