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dc.contributor.authorPérez-Moreno, Lucía C.
dc.contributor.authorLópez-Bahut, Emma
dc.date.accessioned2021-08-26T09:07:01Z
dc.date.available2021-08-26T09:07:01Z
dc.date.issued2020
dc.identifier.citationPérez-Moreno, L., & López-Bahut, E. (2020). Jorge Oteiza’s ‘de-occupation’: Towards an ascetic space in Spanish modern architecture (1948–60). Architectural Research Quarterly, 24(4), 343-352. doi:10.1017/S1359135521000038es_ES
dc.identifier.issn1474-0516
dc.identifier.urihttp://hdl.handle.net/2183/28362
dc.description.abstractThe work and thought of the Basque sculptor Jorge Oteiza (b. Orio, 1908 – d. San Sebastian, 2003) is an omnipresent reference point in the historiography of modern Spanish architecture. Since the Jorge Oteiza Museum Foundation was opened shortly after his death, a great number of studies have been published about him, mainly in Spanish and Basque. Oteiza’s artistic career was closely connected to the postwar Spanish architectural scene. During the 1950s, he participated in numerous projects and architecture competitions and published his work in specialised journals and magazines in the field. Spain was at that time under the regime of General Franco and, as a consequence of the Civil War (1936–9), the country was suffering an economic crisis that affected culture, art, and architecture.<es_ES
dc.language.isoenges_ES
dc.relation.urihttps://doi.org/10.1017/S1359135521000038es_ES
dc.rightsAtribución 4.0es_ES
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/*
dc.subjectVisual Arts and Performing Artses_ES
dc.subjectArchitecturees_ES
dc.titleJorge Oteiza’s ‘de-occupation’: towards an ascetic space in Spanish modern architecture (1948–60)es_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.rights.accessinfo:eu-repo/semantics/openAccesses_ES
UDC.journalTitlearq: Architectural Research Quarterlyes_ES
UDC.volume24es_ES
UDC.issue4es_ES
UDC.startPage343es_ES
UDC.endPage352es_ES


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